now playing: marshall tucker band, “runnin’ like the wind”
i’m thrilled to say that cameron has joined the ranks of those of us who post our thoughts online nowadays…(i hate the word blog almost as much as the term bloggers – it’s just a strange sounding word. jayda has the word moist, i have the word blog.)
here’s a sample…and some reaffirmation as to why i think cameron crowe is just the shit:
August 7, 2004:
This is the sequence we’ve nicknamed Drivin’ and Cryin’. It involves Orlando as Drew being hit by a wave of emotion he didn’t expect. Here on the Nebraska flatlands, the emotion catches up with him. He laughs and cries, and in the middle of nowhere, he gets hit by a freight train of feelings. In one of my conversations with Orlando when he was making the Ridley Scott movie he’d mentioned casually, “I’m not sure I can cry on demand.” I put it out of my mind at the time. Today, I’m wondering if it will be a problem, or at least something that we spend a lot of time working out under that huge sweltering sky.
Speaking of the sky. It’s really beyond words, this Nebraska sky. Music sounds different here. Everything feels different here because the bigness and the spaciousness naturally fills you with thought, and a sense of where you fit in the big picture.
Listening to the radio on the way in, a local station is right on the money. “Tuesday’s Gone” by Lynyrd Skynyrd is playing, and I’m not sure I’ve ever loved the song more than I do on this day. Driving down the stretch of road to the Scottsbluff Airport base-camp where we’ll start to tow the car and film Orlando’s big sequence — trying to forget that it’s a huge moment in the movie and we’ve got to get it right and what if we don’t… The feeling of the song just washes all that other stuff away. “Tuesday’s Gone” sets a bar for authenticity and raw honesty for the whole day… and I can’t help but let some old feelings wash over me. Van Zant was one of the first artists I’d met as a young journalist who really believed, and read and rooted for my writing… I wrote about him a lot, knew him well, and we pay him tribute in the movie. When the song is over, the disc jockey announces that Lacy Van Zant, Ronnie’s father, had passed away recently. That’s big news. Ronnie talked about Lacy a lot, was deeply influenced by the dad who ironically outlived his powerful and poetic son. It’s a lot to think about and remember. There is a lot going on here in Nebraska, it’s in the air. It’s in the 2000-mile stare in the eyes of most of the crew as I arrive on the set at just after seven AM. Woody and Herb Ault and John Toll will still be rigging the car and camera for some time. It’s already hot, and that big sky beckons, so I decide to take a walk.
i can’t wait to see this movie.